Contributor

In this week’s instalment of The Redmond Review, a campaign for Aussie beer brand Furphy reminds Craig Redmond of Molson’s iconic “I Am Canadian” campaign.

VW once again finds itself in “perception peril” following its ill-conceived April Fools prank, says Craig Redmond.

The U.S. Ad Council’s new ad to suggest Americans should “get off their bums, get vaccinated and get their bums back in stadium seats.”

Craig Redmond fondly remembers earlier days as a creative partner with Jeffrey Hilts, who just announced he’s stepping away from FCB

The last year led a lot of agencies to reevaluate every line on their budget—including awards shows.

In this week’s instalment of his regular column, Craig Redmond presumes that Orange’s ‘Baby Steps’ will inspire audience indignation (and delight)

The Rolling Stones frontman has created a voiceover for one of the world’s most hallowed venues: the Royal Albert Hall

An offbeat ad from sofa-in-a-box company SNUG captures the bliss of a world free of mean tweets and mean-spiritedness.

Is it COVID compliant? Craig Redmond doesn’t know or care. Instead, he says, it’s a joyful reminder of music’s ability to spread joy.

New Snickers spot outlines the dangers that come with having secret nicknames for your co-workers.

Technology and creativity are too often used to deliver a fleeting moment of marketing novelty, but this German execution demonstrates their power.

This is the first of a new regular column that long-time Canadian creative Craig Redmond will be writing for our Monday newsletter.